On our tour within the circle of pedal colours I like to kick off with orange. And for sure a very famous orange pedal, which has been around since 1978, the Boss DS-1 and the revamped Boss DS-1w, is orange. If the Tube Screamer is the quintessential overdrive, then the DS-1 is its distortion counterpart. Cheap, available, it’s used by players from Steve Vai to Kurt Cobain. First introduced in 1978, the Boss DS-1 was initially based around a Toshiba preamp, rather than the op-amp that would be used for later iterations of the circuit. This circuit resulted in a warm distortion tone, which was made gritty by the hard-clipping diodes placed after the amplifier stage. Although its tone is more angular, the ProCo Rat employs a similar hard-clipping action, and this is what tends to characterise a distortion versus an overdrive. The Tube Screamer, by comparison, has a soft clip, with diodes placed in the feedback loop of its op-amp. As the first distortion that Boss released, it has gone on to define the compact pedals that have come after. Probably the only pedals as recognisable as the DS-1 are the DM-2 analogue delay, BD-2 Blues Driver and DD-3 Digital Delay. Over the past few years, Boss has been introducing Waza Craft versions of some of its compact pedal series: premium versions featuring a complete redesign of the original circuits by the original developers. Some of these have been welcome revamps of pedals that have been out of production for some time, such as the CE-2, the DM-2 and the Dimension C. But this latest is not only one of the earliest Boss compacts but one that has been continuously in the Boss catalogue since 1978 and is, in fact, its bestseller. The DS-1W retains the original pedal’s triumvirate of Tone, Distortion and Level knobs but features two modes selected via a top-panel toggle switch. S is Standard mode, offering the sound of an original DS-1, while C is a new Custom mode, which delivers an alternative take on it.
Firing up the pedal in S mode you’re confronted with a sound that will be familiar to many, considering that Boss has sold over 1.5 million units and the DS-1 has been put to prominent use on stage and in recordings for the past 44 years! There are no clean sounds here – you’re into hard-edged distortion from the get-go with the Distortion knob at zero and the Level knob cranked up fairly high (from three o’clock onwards) to make sure the sound doesn’t recede as you kick the pedal in. The sound here is characterised by scooped midrange, but it can be nicely tailored with a Tone knob, which sets just the right balance of rolled-off bottom-end with strident highs.
Switching over to C mode, you’ll notice a volume jump as it’s 6dB louder with a different midrange profile. The sound is thicker with the mids poking forward, giving more presence to cut through a mix, and that extra 6dB offers much more leeway in adjusting the Level for a boost. What’s more, there’s increased sensitivity to picking and volume knob control, engendering a more dynamic playing experience suited to a range of musical scenarios.
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