Meet the new Frankenstein, same as the old one, just without the stripes, and with a lived-in feel that's as comfortable as well-worn denim. By ditching Ed’s signature stripes in favor of a single-color finish, the EVH Frankenstein Relic Series provides all of the vibe, tones and high-performance attributes of the Frankenstein guitar in a package that allows players to make their own visual and aural statements. Pros
Cons
The EVH Striped Series is pretty much the coolest thing going for guitarists who want to make a loud and proud statement about their appreciation for Eddie Van Halen and his influence. However, many players may prefer something a little less flashy and distracting-looking that still provides plenty of classic VH vibe. If that’s your jam, the new EVH Frankenstein Relic Series delivers the goods. The EVH Frankenstein Relic guitar is based upon the mid-’80s iteration of Ed’s iconic Frankenstein, but it features a single-color finish (red, white or black) and offers a few modern modifications, like a compound-radius fretboard and EVH Floyd Rose with D-Tuna, perfect for guitarists who want the aggressive tones and rat rod appeal of Ed’s original axe, expertly combined with high-performance playability. The EVH Frankenstein Relic features a familiar Strat-style asymmetrical double cutaway body that’s made from basswood to optimize resonance and keep the overall weight around an average of seven comfortable pounds. The bolt-on neck is quartersawn maple with a separate maple cap fingerboard (so there’s no skunk stripe), both finished with Heavy Relic lacquer that seals and protects the wood. The neck finish and simulated dirt/wear on our test example had a warm, mocha latte brown color that resembled roasted maple. The body finish is gloss lacquer that is subjected to moderate relic aging around the edges and common wear areas like the forearm contour and rear “belt buckle” section. Appropriate for its rat rod design, the guitar has a high-power engine: an EVH Wolfgang humbucker in the bridge position, with the pickup measuring 14.3k ohms resistance. The neck position single-coil pickup and selector switch in the middle pickup cavity are only there for show, just like they are on Ed’s Frankenstein (however, that pickup and selector switch are functional – they’re just not wired in, but can be). The humbucker pickup is direct wired to a volume pot (with a skirted “Tone” knob) and mounted directly to the body (there are no mounting ring or height adjustment screws), and that’s it. The Wolfgang humbucker’s tone is surprisingly brilliant and almost Strat-like, with a distinct upper midrange bite and snappy attack that remain consistently lively even as the volume knob is backed down for clean tones. The bass has plenty of heft for heavy distorted rhythms and riffs. The single bridge humbucker/volume knob-only setup is not the most versatile configuration on its own, but its rich harmonic content provides a solid base for sculpting a much wider variety of sounds with amp settings, a wah pedal and/or a programmable EQ. With 22 jumbo frets, a 12-16-inch compound radius fretboard, slim modified “C” profile, 1.69-inch nut width and easily accessible heel-mounted truss rod adjustment wheel, the neck is built for speed and precise, comfortable playability. The raw wood-like feel of the Heavy Relic lacquer finish provides an ideal balance between smoothness and resistance to facilitate gliding up and down the neck and stopping precisely where the player desires.
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April 2024
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